A story of changing friendships, of lust, hope and hopelessness, a creature unlike any other and an ordinary box – a box, which has been closed for many years; a box which if opened could have devastating consequences for the world…
‘Let. Me. Out.’
The voice is bleak. A sandpaper rasp.
Pandora’s box is a well-known Greek myth and is marvellously interpreted by Julie Hearn. Set in a time and place after ‘the attack’, when England is seemingly isolated from the rest of the world – quaint and peaceful. Inter-tellies are novel, Inter-phones and automobiles a rare sight and Eco-Christianity is the main religion as the world tries to reverse the devastation of pollution.
Five friends on a quest for entertainment decide to visit the old abandoned mansion. Five friends who have known each other since potty training, who naturally fall into the same boy-girl line up wherever they sit or walk. Yet, they are growing up; roles are changing and on the way to the mansion they swap places, their ‘first big mistake’. On entering the old house each reacts unexpectedly, the brave timid, the timid brave. Then they hear the sandpaper voice behind the wall…
‘Let. Me. Out.’
(…)
‘Do it, Maude,’ says Gurnet, his voice low and urgent. ‘Let the poor little creature out.’
Julie Hearn’s skill of developing believable characters with clearly distinguishable voices is as evident here as in her other novels. As a reader you rapidly befriend the characters and are effortlessly carried along and involved in their journey. The narrative is told primarily from four of the five friends’ perspectives, with Maude’s kept effectively minimal. These chapters are interspersed with a separate narrative reminiscent of a Greek chorus – an omnipotent narrative utilised to add depth and understanding to the history and mystery of Pandora’s box.
A tense and gripping read, Wreckers is a captivating story which forces reflection on the daily interplay of hope and hopelessness that dances through life.
Recommended by Tessa Brechin
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